The groom · Weddings

What the groom wears with her gown: five wedding dresses, drawn with their suits

Updated September 2026 · Sam’s Menswear editorial team

Three wedding gowns drawn in pencil on dressmaker's forms, each beside a groom's suit on a hanger: a white satin ball gown with a black dinner suit, an ivory A-line with a midnight navy three-piece, and a champagne beaded fit-and-flare with a midnight dinner suit with a shawl collar
Three gowns, three suits. Drawn on the Gown Match.

The gown is chosen first, usually months before anyone thinks about the groom, and it settles most of the questions his suit has to answer: how formal the day is, what kind of white is in the photographs, and whether there is a colour to pick up. He should go with her, not match her.

Each pair below is drawn on the Gown Match: describe a gown in a few taps and it draws the suit that goes with it, with the reasons. We don’t make or sell gowns; the gowns here are only ever a shape, a colour and a fabric.

A ball gown: a dinner suit

A ball gown is the most formal shape there is, and in the evening it wants a dinner suit beside it: black, satin peak lapels, one button, a white dress shirt and a black bow tie. Anything less formal looks like he came from a different wedding. If her gown is satin, the satin on his lapels answers it.

A white satin ball gown drawn in pencil on a dressmaker's form beside a black dinner suit with satin peak lapels, a white shirt and a black bow tie on a hanger
A white satin ball gown in the evening, and a black dinner suit. Match it

An A-line: a formal suit, often three-piece

The A-line is the most adaptable of the gown shapes. In the evening it sits with a dark, formal suit: midnight navy or charcoal, peak lapels, and a matching waistcoat to answer the structure of her bodice. By day, or outdoors, the same gown takes something lighter.

An ivory satin A-line gown drawn in pencil on a dressmaker's form beside a midnight navy three-piece suit with peak lapels, an ivory shirt and a gold tie
An ivory satin A-line in the evening, and a midnight navy three-piece with an ivory shirt. Match it

A fit-and-flare: the same glamour on his side

A fitted, flared gown is glamorous, and beading makes it more so. His answer is a midnight blue dinner suit with a satin shawl collar: evening glamour in his own terms. Midnight blue looks richer than black beside beading under evening light.

A champagne beaded fit-and-flare gown drawn in pencil on a dressmaker's form beside a midnight blue dinner suit with a satin shawl collar, an ivory shirt and a black bow tie
A champagne beaded fit-and-flare, and a midnight dinner suit with a shawl collar. Match it

A sheath: clean beside clean

A sheath or column gown is all line, and crepe keeps it matte and minimal. His suit follows: a plain dark cloth, peak lapels and no pocket square to fuss the line. Long sleeves and a high neck are a classic, covered look, and a well-cut three-piece stands beside them better than anything fashionable.

A white crepe sheath gown with long sleeves and a high neck drawn in pencil on a dressmaker's form beside a charcoal three-piece suit with peak lapels, a white shirt, a silver tie and no pocket square
A white crepe sheath with long sleeves, and a charcoal three-piece with nothing extra. Match it

A tea-length: lighter, and a little vintage

A tea-length gown by day, outdoors in summer, is lighter in spirit, and so is his suit: a cool grey fresco or a linen, notch lapels, and a waistcoat for the vintage feel a tea-length skirt has. A blush gown sits best against cool colours, so his cloth stays grey.

A blush tulle tea-length gown with short sleeves drawn in pencil on a dressmaker's form beside a grey three-piece summer suit with notch lapels, a white shirt and a blush tie
A blush tulle tea-length in July, outdoors, and a grey fresco three-piece with a blush tie. Match it

The shirt: white or ivory?

This is the most useful question on the list, and the one most often missed. A bright white shirt beside an ivory gown makes the gown look yellow in photographs: next to a brighter white, a warm white reads as cream gone off. Ivory beside ivory reads as one warm white. A bright white gown takes a bright white shirt for the same reason, and champagne and gold gowns want ivory’s warmth too.

An ivory lace gown with long sleeves drawn in pencil beside a midnight navy three-piece with a bright white shirt
Bright white beside ivory: the shirt is the whitest thing in the picture.
The same ivory lace gown drawn in pencil beside the same midnight navy three-piece, now with an ivory shirt
Ivory beside ivory: one warm white. Match it

Her colour, once

A colour in the gown can be echoed once on his side, and the tie is the place for it. Once is enough: a matching tie, pocket square and waistcoat is a costume.

Her gownHis shirtHis tie
Bright whiteWhiteSilver, or navy with a light suit
IvoryIvoryGold, or navy with a light suit
ChampagneIvoryChampagne
BlushWhiteBlush
GoldIvoryGold
RedWhiteRed, with a dark suit

Black tie overrules the gown

If the invitation says black tie, he wears a dinner suit whatever the gown: black or midnight blue, satin lapels and a bow tie. The gown still settles the details, a shawl collar beside a glamorous gown, peak lapels beside a ball gown, but not the level of dress. Black tie, decoded has the rest.

At a glance

The gownBy dayIn the evening
Ball gownA formal dark suit with a waistcoat, lighter outdoorsA dinner suit, satin peak lapels
A-lineA lighter suit, or navyMidnight navy or charcoal, peak lapels, a waistcoat
Fit-and-flareNavy or grey, by the fabricA midnight dinner suit with a shawl collar if beaded or satin; otherwise charcoal or midnight navy
SheathGrey or navy, kept plainCharcoal or midnight navy, peak lapels, kept plain
Tea-lengthGrey or linen, with a waistcoatSilver grey, or a dark suit if the gown is satin or beaded

Draw yours

On the Gown Match you can describe her gown, see the suit drawn beside it with the reasons, try a touch more formal or a touch softer, and then send the groom a link to his suit alone, without the gown. From there the groomsmen can be drawn to match, and the suit is measured and made at the studio in Vaughan. Two to three months before the wedding is comfortable.

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The next step

Bring the whole party.

Groom, groomsmen and both fathers measured in one session at the studio, booked as one block. One firm price per man before anything is cut.

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